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尼特岛
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艾美奖肯定《鲸之谜》制作团队最新力作。

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在罗马尼亚特兰西瓦尼亚煤矿小镇佩特里拉,一位前矿工转型为艺术家和活动家,他利用艺术和荒诞主义阻止当地政府在 2015 年欧盟建议下拆除该国最古老的煤矿的历史建筑。他的追求不仅是保护家乡的历史和特色,还在于寻找新方法,防止社区不可逆转地分崩离析。

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三位“钓鱼佬”组队远征世界,追逐每一位钓鱼人心中的终极梦想。为挑战传奇鱼种,他们穿越荒野秘境,踏上孤岛海礁。这不仅是对勇气与耐力的考验,更是一场通过钓鱼看世界的冒险之旅。跟随他们的鱼竿,探索风土人情与神秘水域,重新认识这个辽阔的星球。

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没有评判,没有计划。阿什利·凯恩进入了一个截然不同的世界,有着不同的规则,身处对年轻人来说最残酷、最紧张的地方。为了生存,他需要什么?

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暂无简介

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《夏威夷冲浪女孩》讲述了夏威夷原住民新一代女性冲浪运动员的故事,她们在精英级别赛事中角逐,争夺令人垂涎的世界职业冲浪巡回赛参赛席位。这部四集纪录片带您走进幕后,了解五位最令人瞩目的年轻冲浪明星——莫阿娜·琼斯·黄 (Moana Jones Wong)、尤·黄 (Ewe Wong)、马鲁希亚·基尼玛卡 (Maluhia Kinimaka)、普阿·德索托 (Pua DeSoto) 和布丽安娜·科普 (Brianna Cope)——她们在训练、处理家庭责任的同时,还与世界顶级冲浪运动员竞争,力争登上领奖台。

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《冲浪女孩:国际版》讲述了五位代表各自国家参加挑战者系列赛的新兴女子冲浪运动员的故事。本季将讲述新秀和回归运动员的故事,她们都在女子冲浪界开辟自己的道路,其中包括第一季的突破之星夏威夷人 Ewe Wong;年轻的选手 Sophia Medina,她有着冲浪家族的历史,在她的祖国巴西继续为女子冲浪者打破障碍;充满动力、不遗余力地不断磨练和学习的葡萄牙天才选手 Kika Veselko;南非的 Jessie Van Niekrek,在她和父母为了追求激情牺牲了一切之后,她仍然充满感染力;以及 2024 年奥运会选手、秘鲁选手 Sol Aguirre,她专注于提高自己对这项她热爱的运动的心理素质。

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1998 年,一名 23 岁的女子在加勒比海游轮上失踪,她的家人坚持不懈地寻找答案。这部真实犯罪题材剧集对本案进行了探讨。

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2009 年 10 月 15 日,科罗拉多州柯林斯堡的一位父亲拨打 911 报警,声称他自制的飞碟从后院逃走,并带着他六岁的儿子飞上了天空。这则匪夷所思的传闻得到了新闻直升机画面的“佐证”。直升机追上了飞碟,并现场直播了追捕过程。起初只是一场地方性紧急事件,却迅速升级为全国性紧急事件,从国民警卫队到警长,再到国土安全部,每个人都在努力制定安全营救“气球男孩”的方案。当气球缓缓降落时,人们祈祷着奇迹般的重逢,但他们却发现里面根本没有男孩。这场看似悲剧的事件急转直下,演变成一场闹剧。公众的同情迅速转化为义愤,“气球男孩”也迅速成为美国历史上最臭名昭著、最离奇的新闻事件之一。

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1984 年 10 月 23 日,BBC 新闻报道了埃塞俄比亚大饥荒,震惊了英国观众。记者迈克尔·布尔克 (Michael Buerk) 对该国各地灾情的报道被鲍勃·吉尔多夫 (Bob Geldof) 看到,他觉得自己需要做的不仅仅是看着电视上的灾难。吉尔多夫与 Ultravox 乐队主唱米奇·尤尔 (Midge Ure) 一起,试图激励他认识的音乐人采取行动。他们的成果就是 1984 年的圣诞单曲《他们知道现在是圣诞节吗?》(Do They Know It's Christmas),六个月后又推出了 Live Aid 现场援助音乐节。这部四集影片记录了当时发生的事件,第一集在纪录片节 (DocFest) 上放映,重点讲述了最初的报道及其反响。这是一部引人入胜的近代史记录,也是一场旨在引发迅速、拯救生命的变革的运动的深刻写照。

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Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

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Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

Somewhere on the internet is a land where communities pretend to live out a survivalist fiction. The avatars of the directors of Knit’s Island spent 963 hours there, creating a fascinating film resulting from their encounter with these communities. The “players” reveal their fears and fantasies, in an at times unsettling blurring of the real and the virtual.                                    

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